You can change your city from here. Other highlights include a garbage strike.

This story has been shared 146,200 times. “Joker” is not a great leap forward, or a deep dive into our collective unconscious, let alone a work of art. “Is it just me, or is it getting crazier out there?” he asks. It’s a different take on the DC comics character, and why not? Joaquin 'OSCAR', Joker = best Dark suspense thriller ... Darker than dark Knight. Like animals, they come in two by two. Set in the early ’80s in Gotham City, 'Joker' follows the life of Arthur Fleck (Joaquin Phoenix), a happy soul who is considered a freak because of a health condition that makes him laugh involuntarily. | Arthur is a clown, and a would-be comic, but he’s really not funny at all. To revisit this article, select My⁠ ⁠Account, then View saved stories. But besides the wacky pleasures of Phoenix’s performance, it also displays some major movie studio core competencies, in a not dissimilar way to what “A Star Is Born” presented last year. For much of its runtime, Joker is a consciously ugly film, visually and emotionally. No doubt some will balk at their favorite comics character being dragged down into such gloom and doom. The problem is that he isn’t particularly funny. In this, Todd Phillips’ origin story seems to have succeeded, given the amount of lip service paid … It’s a seriously dark urban drama about a charmless schlub (Phoenix) saddled with a brain injury that gives him an inadvertent cackle, caring for his ailing mom (Frances Conroy) and working a lousy gig as a rent-a-clown while nursing dreams of being a stand-up comic. We learn from her that Arthur has been institutionalized in the past, and he carries a card that he shows to people when they flinch away from him. Joker. I’d like to say yes. Joker isn't just an awesome comic book movie, it's an awesome movie, period. Ad Choices.

Lest it be accused of right-wing inflammation, allowance is made for issues more congenial to the left. The actor’s physicality here is something to behold.

Remarkable Direction, Cinematography, Music and the Acting. The aim of the Joker has always been to sow chaos and panic in the citizens of Gotham City. I will stop watching movies if Joaquin Phoenix is not awarded Oscar for his tremendous acting. This "my comic publisher is better than yours" BS should have been left behind on your grade school playground, it has absolutely no relevance to the quality of this movie, and your opinion of this movie should be considered highly suspect if you're in this group. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. Please. He lives in Gotham City, which, as everybody knows, equals New York City minus the peace and the pastoral bliss. And then he takes violent, irrevocable action. Back then, the Times was dismayed: “Let us soberly warn that ‘White Heat’ is also a cruelly vicious film and that its impact upon the emotions of the unstable or impressionable is incalculable.” No such worries for Phillips’s movie; its impact is solemnly calculated to the final inch. Trailing clouds of controversy, Joaquin Phoenix, in the title role, invites us to watch his wrongness grow out of control and swell into violence. When Dalí and Buñuel made “L’Âge d’Or” (1930), they wanted to start a riot, and they succeeded, but “Joker” yearns for little more than a hundred op-ed pieces and a firestorm of tweets. Joaquin Phoenix's fully committed performance and Todd Phillips' masterful albeit loose reinvention of the DC source material make Joker a film that should leave comic book fans and non-fans alike disturbed and moved in all the right ways. It is important to know when to sympathize with the Joker (towards the beginning of the movie), and when he needs to be identified as a threat (when he begins making certain bad choices). Sure, a good movie, good acting, nice shooting. As social commentary, “Joker” is pernicious garbage.
In one bizarre scene, the nabobs of Gotham, in tuxedos and gowns, are even treated to a special screening of “Modern Times.” Why should Phillips nod to a film of 1936, if not to stake his claim as a legatee?

It’s been fascinating to watch the discussion around the movie shift from “Do we really need another Joker story so soon after Suicide Squad?” to “Is Joker full of dangerous ideas that will spur its worst fans to murder?” The initial worries around Joker assumed the movie would be unnecessary, its impact negligible. The Inspirations from Taxi Driver and King of Comedy are there, and add so much for the movie. — Don Draper 101 It’s a self-pitying fantasy, certainly. When I walked out of the cinema, I felt hollow and empty. This path brings him face-to-face with his alter-ego: the Joker. Joker review – the most disappointing film of the year Why so serious? Come Oscar season, it needs to be nominated for Best Picture, ScreenPlay, Cinematography, Actor, Score and Director. The movie, in short, is the most curious of things: a genuinely populist take on the Batman mythology. Your California Privacy Rights For much of its runtime, Joker is a consciously ugly film, visually and emotionally. Indeed, the film left me with a question that has troubled me ever since: If Arthur Fleck walked into my church—unsettling laugh, strange behaviors, and all—would I look on him with kindness? There are scenes that are very violent. Phoenix’s tic of a laugh is, indeed, disturbing, though it always seems vaguely forced. I needed to double-check the genre to see if this is a drama or what.

And people are starting to notice.” Only in blood, and in the awful maelstrom of the mob, can Fleck find the actualization and community he craves. ( Log Out / 

Another clown lends him a gun, for safety’s sake, but it drops out of Arthur’s costume, clattering to the floor, while he’s entertaining children in a hospital ward and singing “If You’re Happy and You Know It.” A tough gig for Arthur, who says, “I haven’t been happy one minute of my entire fucking life.”, And there you have it. Is at his best here. Nothing else in his life offers hope. Day by day, Fleck’s life goes steadily downhill: he is assaulted by street toughs, fired from his job after acquiring a gun to protect himself, abandoned by his caseworker following social-services cuts, and mocked on national television after an unfortunate comedy club appearance. One of the best acting performances I've ever seen. By contrast, “Joker” actually commits to its populist premise rather than simply flirting with it. Joker Movie Review: Critics Rating: 4.5 stars, click to give your rating/review,It's simultaneously difficult to watch and yet, impossible to take your eyes off Joaquin Phoenix in The other is Thomas Wayne (Brett Cullen), a wealthy brute who is running for mayor of Gotham. His face may get the greasepaint, but it’s his whole body, coiled upon itself like a spring of flesh, from which the movie’s energy is released. Phoenix gave a performance that felt like a mixture of Heath Ledger's joker, Jack Nicholson's joker, and Alex in A Clockwork Orange: I went into this film expecting an all-time classic based on the reviews I had read & what I ended up watching was just a decent film overall. There is a scene in this movie where Arthur Fleck (Joker) is doing a clown act in front of kids in a hospital and the gun his friend gave him falls onto the ground. Cuts to welfare, we are told, will soon block Arthur’s access to therapy and medication, and the movie’s plea for the downtrodden to be given their rightful say harks back to Frank Capra and Chaplin. In Gotham City, mentally troubled comedian Arthur Fleck is disregarded and mistreated by society. In a thoroughly immersed performance that’s being seen as a guaranteed awards-season attention magnet, Joaquin Phoenix plays Arthur Fleck, a part-time rent-a-clown working for a seedy talent agency full of exaggerated grotesques.

THIS is people's "best movie ever". Aamir Khan wishes 'good health' to Shah Rukh Khan on 55th birthday, Johnny Depp loses defamation suit against tabloid over 'wife-beater' article.
Now and then, other actors, less worked up, pass across the stage: Bill Camp as a detective, for example, or Brian Tyree Henry as a hospital clerk, both wonderfully weary, like visitors from Planet Normal. The year, by my reckoning, is 1981, since “Blow Out” and “Zorro: The Gay Blade” are advertised on cinema marquees. Phoenix is he definitely did his part. Arthur starts with close to nothing, and loses it all incrementally, in ways designed to hurt empathetic viewers. © 2020 Condé Nast. Joker is the first time I was more than happy with the hype. But those were supporting roles, whereas Arthur is the main attraction. a great way to end 2019, with this masterpiece. Most of the time movies are anticipated like this they end up falling short, way short. This is a movie that only those who have felt alone and isolated can truly relate to it. But I do.

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